Previous Events

Dramatic Question Theater Benefit Reading with Sisters in Crime

Date: October 27, 2016
Time: 12:00 am - 12:00 am
Please join Sisters in Crime in supporting the non-profit Dramatic Question Theatre at our upcoming reading on Tuesday, October 27th. Tickets are limited. So, purchase yours now at: http://www.thedqt.org/dqt-benefit-reading-sisters-in-crime
DQT Benefit Reading: Sisters in Crime Join the Dramatic Question Theatre (DQT) for a special event and reading featuring members of Sisters In Crime, an organization dedicated to the professional development of women crime writers. The DQT is raising money to produce two new plays: o IN THE NIGHT EVERYONE IS EQUAL by Erica Silberman o THE SHOO-IN by Michael Mejias. Readers from Sisters in Crime will include: Triss Stein Lori Robbins Cathi Stoler Where: People’s United Bank, 250 Park Ave, NYC When: 6:00 to 8:00 pm on Thursday, October 27th (Social hour begins at 6:00, followed by readings.) How much: Tickets are $20 (tax-deductible). Seating is limited to 40 tickets, so get yours before the event sells out! · https://www.jotform.com/…/form_fil…/DQT%20Benefit%20Logo.png
The official website of the Dramatic Question Theatre.
thedqt.org

Editing Do’s & Don’ts from Mariah Fredericks on Oct. 19th

Date: October 19, 2016
Time: 12:00 am - 12:00 am

Meet Mariah Fredricks and learn how to be your own best editor.

img_0152-copyMariah Fredericks is the author of eight novels for young adults, including The Girl in the Park and Crunch Time, which was nominated for an Edgar Award. Her first mystery for adults, A Death of No Importance, will be published by Minotaur in 2018. The head copywriter for Book-of-the-Month Club for many years, she currently works as a freelance editor.

In an era when editors have less and less time to work on a manuscript, writers need to be their first and best editor. Yet it’s often hard for people to step back and see their story with fresh eyes. This talk will address how to read like a reader and not the writer, effective ways to find and cut the flab, the meaningless of “good,” and how to make the most of outside feedback,so you can be Your Own Best Editor.